In the beginning of 1929, Walser, who had suffered from anxieties and hallucinations for quite a time, went to the Bernese mental home Waldau, after a mental breakdown, at his sister Fani's urging. In his medical records it says: "The patient confessed hearing voices." Therefore, this can hardly be called a voluntary commitment. While in the mental home, his state of mind quickly returned to normal, and he went on writing and publishing. More and more, he used the way of writing he called the "pencil method": He wrote poems and prose in a diminutive Sütterlin hand( Sütterlin for short, is the last widely used form of the old German blackletter handwriting ("Spitzschrift"). In Germany, the old German cursive script developed in the 16th century is also sometimes called Fraktur the letters of which measured about a millimeter of height by the end of that very productive phase.) Werner Morlang and Bernhard Echte were the first ones who attempted to decipher these writings. In the 1990s, they published a six-volume edition, Aus dem Bleistiftgebiet ('From the pencil area'). Only when Walser was, against his will, moved to the sanatorium of Herisau in his home canton Appenzell Ausserrhoden, did he quit writing. Another reason might have been that with the rise of the Nazis in Germany, his works could no longer be published in any case. (source Wiki)

These extremely difficult rebuses where very popular in illustrated magazines around 1840-1890.
This one means; L'homme qui tient la table pendant quatre heures en sort la panse arrondie'
What is in French something like; "si l on passe beaucoup de temps a table, on ne doit pas s etonner d'avoir un gros ventre !'
What is in English something like; 'The man who spends a lot of time at a dinner table should not be supriced to leave the table fat'
The man who holds the table during 4 hours. (he says- 'I will drop it at noon')
En sort- coming out (note the old 1859 walking with a stick)
La panse - Lapancha - Don Chixote helper
Arrondie- Un rond d'i - a cirle of i's

The United Society of Believers in Christ's Second Appearing – called "Shakers" – originated in England in the mid-eighteenth century and soon centered around the person of Ann Lee (Mother Ann, or Mother Wisdom, or simply Mother), who became "the reincarnation of the Christ Spirit … Ann the Word … Bride of the Lamb." The group practiced communal living and equality of the sexes, along with a reputedly complete abstention from sexual intercourse. After persecutions and jailings in England, Ann brought them to America in 1774, where for many years they thrived on conversions, reaching a maximum size of 6,000 before their demise in the twentieth century.

Strict believers in celibacy, Shakers maintained their numbers through conversion and adoption of orphans. Turnover was very high; the group reached maximum size of about 6,000 full members in 1840, but now has only four members left.

Between 1837 and 1850 ("known as the Era of Manifestations") the Shakers composed (or were the recipients of) "hundreds of … visionary drawings … really [spiritual] messages in pictorial form," writes Edward Deming Andrews (The Gift To Be Simple, 1940). "The designers of these symbolic documents felt their work was controlled by supernatural agencies … – gifts bestowed on some individual in the order (usually not the one who made the drawing." The same is true of the "gift songs" and other verbal works, and the invention of forms in both the songs and drawings is extraordinary, as is their resemblance to the practice of later poets and artists.

N.B. "To be sure, the term drawing is a misnomer, because the Shakers did not use it themselves when they were referring to these works. In the few Shaker documents in which the gift drawings are mentioned, they are typically referred to as sheets, rolls, signs, notices, tokens of love, presents, rewards, hearts – sometimes prefaced by the adjective sacred. This definition focuses on the function of the works as gifts from heavenly spirits, rather than on the form in which the gifts were materialized. In fact, the gift drawings often include titles, captions, inscriptions, and extended texts, in English as well as in scripts written in indecipherable tongues, that place them on an uninterrupted continuum with other manifestations of belief, such as inspired writing, ecstatic movement, and spontaneous speech, especially in the form of song." (Thus: France Morin, in Shaker Gift Drawings and Gift Songs, The Drawing Center, New York, and UCLA Hammer Museum, 2001 – a book packed with generous examples, from which those shown here have been extracted.)
(source wiki & ubuweb)

In the beginning of 1929, Walser, who had suffered from anxieties and hallucinations for quite a time, went to the Bernese mental home Waldau, after a mental breakdown, at his sister Fani's urging. In his medical records it says: "The patient confessed hearing voices." Therefore, this can hardly be called a voluntary commitment. While in the mental home, his state of mind quickly returned to normal, and he went on writing and publishing. More and more, he used the way of writing he called the "pencil method": He wrote poems and prose in a diminutive Sütterlin hand( Sütterlin for short, is the last widely used form of the old German blackletter handwriting ("Spitzschrift"). In Germany, the old German cursive script developed in the 16th century is also sometimes called Fraktur the letters of which measured about a millimeter of height by the end of that very productive phase.) Werner Morlang and Bernhard Echte were the first ones who attempted to decipher these writings. In the 1990s, they published a six-volume edition, Aus dem Bleistiftgebiet ('From the pencil area'). Only when Walser was, against his will, moved to the sanatorium of Herisau in his home canton Appenzell Ausserrhoden, did he quit writing. Another reason might have been that with the rise of the Nazis in Germany, his works could no longer be published in any case. (source Wiki)

a 192-page graphic score which allows for considerable freedom of interpretation.
Following the demise of the Orchestra, Cardew became more directly involved in left-wing politics and abandoned avant-garde music altogether, adopting a populist though post-romantic tonal style. He spent 1973 in West Berlin on an artist's grant from the City, where he was active in a campaign for a children's clinic. During the 1970s, he produced many songs, often drawing from traditional English folk music put at the service of lengthy Marxist-Maoist exhortations; representative examples are Smash the Social Contract and There Is Only One Lie, There Is Only One Truth. In 1974, he published a book entitled Stockhausen Serves Imperialism, which denounced, in Maoist self-critical style, his own involvement with Stockhausen and the Western avant-garde tradition.(wiki)
Cornelius Cardew was killed on the 13th December 1981, by a hit and run driver near his home in East London. There's been conspiracies about involvement from the British secret service.

'Requichot is a painter with a very nice ellidible written oeuvre; "ellidible-thank you lettre", "ellidible-lettres to artdealers", "ellidible-insulte lettres", "ellidible- lettre to art amateur" and "ellidible-lettre to framer"

Shorthand is an abbreviated and/or symbolic writing method that increases speed or brevity of writing as compared to a normal method of writing a language. The process of writing in shorthand is called stenography, from the Greek stenos (narrow) and graphē (writing). It has also been called brachygraphy, from Greek brachys (short) and tachygraphy, from Greek tachys (swift, speedy), depending on whether compression or speed of writing is the goal. Many forms of shorthand exist. A typical shorthand system provides symbols or abbreviations for words and common phrases, which allow someone well trained in the system to write as quickly as people speak.
Shorthand was used more widely in the past, before the invention of recording and dictation machines. Until recently, shorthand was considered an essential part of secretarial training as well as being useful for journalists. Although the primary use of shorthand has been to record oral dictation or discourse, some systems are used for compact expression. For example, health-care professionals may use shorthand notes in medical charts and correspondence. Shorthand is also common in the food service industry, allowing wait staff to write down detailed orders without delay.